“MODOS DE OÍR”

Ex Teresa Arte Actual, 2019

Mauricio Rocha, Pabellón Fonográfico (Phonographic Pavilion) (detail), 2018, mixed media, dimensions variable.


Marcel Duchamp’s early-twentieth-century plaint about the deeply retinal nature of art doesn’t seem to resonate in present-day Mexico, whose art scene can feel awash in visuality. Attempting to counter the situation, Laboratorio Arte Alameda and Ex Teresa Arte Actual have conducted a joint survey that engages entirely with sonic phenomena.


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